CIA official’s son killed fighting for Putin took childhood rebellion to extreme
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How does the son of a top CIA official go from non-binary globetrotting eco-anarchist to cannon fodder in Vladimir Putin’s army?

That’s the question being asked after Michael Gloss, 21, died fighting for Russia in Ukraine, three months after his mother, Juliane Gallina, was appointed a deputy director at the USA’s foreign intelligence service.

Gloss, a former lacrosse player using ‘they/he’ pronouns in his social media profiles, appeared aligned with the eco-friendly ethos of the College of the Atlantic in Bar Harbor, Maine.

‘Michael had a heightened sense of fairness, and saw those in our community who are unseen and unheard — whether they were people, or animals, plants or streams’, his family said in an obituary.

‘He wanted the world to be a better place with more fairness, peace and harmony with nature. In his brief life, he built houses in Honduras, he restored buildings in Türkiye destroyed by earthquakes.’

ACAB, antifa and climate change

14650649 Shocking photos show CIA deputy director's son fighting for Russia in Ukraine war before his battlefield death Michael Gloss https://www.facebook.com/michael.gloss.39
Michael Gloss, 21, stopping off for sightseeing at Moscow’s Red Square before he was killed while fighting for Russia in Ukraine (Picture: Facebook)

At university, Gloss studied the relationship between humans and the environment. He scaled the balcony at a party. He joined a range of protests.

He was even arrested for disrupting a Washing DC baseball game during a protest against climate change in July 2022.

A month earlier, he joined a rally supporting abortion rights. He shared a photo of himself at the protest with the caption: ‘How are you gonna explain to your kids that you did nothing when democracy fell?’

Within two years he would die fighting for a dictator. What happened?

Like many young Americans following the Black Lives Matter movement against police brutality, Gloss adopted an ‘all cops are bastards’ attitude post-2020..

Picture posted to instagram by Michael Gloss. zaza.baba137 How are you gonna explain to your kids that you did nothing when democracy fell? #roevwade #fascism #theocracy June 26, 2022 https://www.instagram.com/p/CfRc4kML1n6/?utm_source=ig_web_copy_link
Gloss protested for women’s rights opposed by Putin in Russia (Picture: Instagram)

Identifying himself as an anarchist and anti-fascists, Gloss’s social media posts accused the ruling classes of using mainstream media to turn people against each other.

Democrats and Republicans were all alike, Gloss believed, bringing ‘doom no matter whom’.

But the American flag Gloss set on fire in April 2022 didn’t just symbolise rebellion against what he saw as his country’s malign power – it was a rebellion against his own family.

‘He was the ultimate antiestablishment, anti-authority young man the minute he came into the world’, his father, Iraq War veteran Larry Gloss told the Washington Post.

Born into a military family

Pictured: Juliane Gallina, CIA deputy director and mother of Michael Gloss 14650649 Shocking photos show CIA deputy director's son fighting for Russia in Ukraine war before his battlefield death
Juliane Gallina Gloss, the CIA’s Deputy Director of Digital Innovation

Gloss’s mother and father both served in the US Navy.

Juliane Gallina, the first woman to be a Naval Academy brigade commander, spent much of her career working in military intelligence.

Since January 2024, she has been the CIA’s Deputy Director for Digital Innovation.

Gloss’s father Larry won a medal for her role in the US-led invasion of Iraq in the 1990s, before heading up a cybersecurity company.

His clients include the US government and other NATO countries.

If the 21-year-old Gloss were still alive, he might say his parents worked for the ‘military industrial complex’.

Falling for Russian propaganda

14650649 Shocking photos show CIA deputy director's son fighting for Russia in Ukraine war before his battlefield death Michael Gloss https://www.facebook.com/michael.gloss.39
Gloss next to a statue of Communist leader Vladimir Lenin, whose monuments have mostly been removed in Ukraine (Picture: Facebook)

That was the language he used when he finally started posting about the war in Ukraine on social media in 2023.

First the mentions were subtle. ‘All cops are bastards as far as the eye can see… #abolishNATO #endukrainewar #antifascismo’, Gloss captioned a collection of pictures he took of anti-fascist graffiti in Italy in March 2023.

By this point, Gloss had dropped out of university to travel around Europe. He went to a folk festival in the Balkans, he got a job in a factory in Turkey.

He adopted aliases – like Hamza Ali and Itthobaal – grew his hair long, sported a beard, and started wearing bandanas.

Periodically he would post more pictures of anarchist graffiti. ‘F**K Nazis’, he said while posing next to some on a wall in Istanbul.

14650649 Shocking photos show CIA deputy director's son fighting for Russia in Ukraine war before his battlefield death Michael Gloss https://www.instagram.com/zaza.baba137/
Gloss developed a distinct fashion sense – featuring a cane, cape and later ‘Jesus-like tunic’ (Picture: Instagram)

But Gloss increasingly had a particular image in mind when he imagined ‘Nazis’.

One of his last posts on Instagram was a meme post showing ‘five examples of successful rebranding’. Four were straightforward logo upgrades for Google, Lego, Starbucks and FedEx.

The fifth showed the swastika flag of Nazi Germany morphing into Nato, a military alliance formed primarily by countries that defeated the Nazis.

‘Zoolenskyy (he is an animal) turned the Ukrainian population into ground meat for military industrial complex money’, Gloss said.

‘Cozied up to war criminals @whitehouse #clusterbombs Simply bcuz western #capitalist #imperialism cannot profit without the ethnic cleansing of a minority people group.’

Russia’s President Vladimir Putin has sought to portray Ukraine’s government as captured by Nazis, and his own invasion of Ukraine as a mission to ‘de-nazify’ Ukraine and stop its takeover by Nato.

Putin’s gas-guzzling anti-LGBT+ and anti-abortion brand of masculinity might have stood in stark contrast with Gloss’s own politics, but he appeared to buy the propaganda.

From dressing as ‘Jesus’ to donning fatigues

epa11919663 A handout photo made available by Ukraine's 93rd Mechanized Brigade press service shows destroyed buildings in the frontline city of Toretsk, Donetsk region, eastern Ukraine, 22 February 2025 (issued 23 February 2025), amid the Russian invasion. EPA/UKRAINE'S 93RD MECHANIZED BRIGADE HANDOUT HANDOUT EDITORIAL USE ONLY/NO SALES
Street-to-street, village-to-village fighting that’s flattened eastern Ukraine is so brutal it’s been described as a ‘meat grinder’ (Picture: Ukraine’s 93rd Mechanized Brigade/EPA)

‘He started thinking about going to Russia’, an acquaintance told iStories, an independent Russian news outlet. ‘He wanted to war with the USA. But I think he was very influenced by the conspiracy theory videos.’

Exactly why Gloss wanted to go to Russia is uncertain. He claimed various things – he wanted to learn Russian through immersion, he wanted to gain Russian citizenship, he wanted to reduce food prices with an environmental project.

Whatever the true reason, Gloss crossed the border from Georgia to Russia in August 2023.

He travelled around the country for a while, raising a Soviet flag over a hut he built himself out for branches at a festival near Moscow.

By September, Gloss had joined the Russian military, serving alongside Chinese and Nepali mercenaries.

By December, he had been sent to the front. By April, his unit was advancing north of Bakhmut. Within days, he was dead.

An entire Russian brigade command was wiped out in a devastating Ukrainian HIMARS missile strike in Selidove, Donetsk region, say reports from both sides of the conflict.
A HIMARS missile strike wiped out an entire Russian brigade command in Selidove, Donetsk, near where Michael Gloss died (Picture: East2west news)

‘Massive blood loss’ from an artillery barrage was the official cause on his Russian death certificate.

‘It was absolutely news to us that he was involved in any military relationship with Russia’, his father said.

Despite his mother’s role in the CIA, the agency said the circumstance of Gloss’s death is ‘not a national security issue’.

Gloss’s obituary was almost a euphemism, with no mention of how or why he died. It said: ‘With his noble heart and warrior spirit Michael was forging his own hero’s journey when he was tragically killed in Eastern Europe.’

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What happened to the third chair at Trump and Zelensky’s Vatican meeting?
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Donald Trump and Volodymyr Zelensky sitting opposite one another at the Vatican was one of the most striking images from the Pope’s funeral this weekend.

But intriguingly, it seems the meeting was originally intended to look different.

Footage of the two leaders approaching the simple red chairs shows that there were originally three chairs together — before one was hastily removed just as they came to sit down.

Moments before, Trump had a somewhat awkward encounter with French president Emmanuel Macron.

Many watching the video thought it looked as though Trump was snubbed when he appeared to reach out for a handshake, but his French counterpart wafted his hand through the air instead.

It came after Macron warmly embraced Ukrainian president Zelensky, who is now in his fouth year of defending against a fullscale Russian invasion.

Who was the third chair originally intended for? Trump, Macron and Zelensky were seen talking immediately before the meeting

Exactly who the third chair was intended for or why they did not take it is not clear, but in the end Vatican officials dressed in black robes escorted only Trump and Zelensky to sit opposite one another in St Peter’s Basilica.

Images of the two leaders sitting face-to-face were taken as a symbolic win, so it may be that a last minute decision was taken to remove the third chair for this reason.

A lip reader who analysed the interaction took another view, telling The Sun that Trump appeared to have given a ‘warning’ to Macron, saying: ‘You are not in the right here, I need you to do me a favour, you should not be here.’

The meeting appears to have been a success for Ukraine, as immediately following it, Trump issued some of his strongest words against Putin.

The president wrote on Truth Social: ‘There was no reason for Putin to be shooting missiles into civilian areas, cities and towns, over the last few days.

‘It makes me think that maybe he doesn’t want to stop the war, he’s just tapping me along, and has to be dealt with differently, through “Banking” or “Secondary Sanctions?”

‘Too many people are dying!!!’

Macron was seen shaking hands with Trump on another occasion later at the funeral of Pope Francis.

He also later shared a photo of him standing alongside Trump, Zelensky and Keir Starmer, captioned ‘Pour la paix’ (for peace).

Relationships between European leaders and Mr Trump have been turbulent since the US president took power again in January.

In this photo provided by the Ukrainian Presidential Press Office, Ukraine's President Volodymyr Zelenskyy, right, and President Donald Trump, talk as they attend the funeral of Pope Francis in Vatican, Saturday, April 26, 2025.(Ukrainian Presidential Press Office via AP)
Volodymyr Zelensky, right, and President Donald Trump, talk as they attend the funeral of Pope Francis in the Vatican yesterday (Picture: AP)

Their approach to Ukraine has been at odds, with the US pushing for Ukraine to cede Crimea to Russia, as well as more swathes of occupied land, as part of a peace deal.

Zelensky has rejected this, saying that Crimea had been recognised as part of an independent Ukraine for 23 years before the annexation, so accepting it as Russian territory would ‘violate’ his country’s constitution.

He has called for Russian president Vladimir Putin to instead accept an unconditional end to the fighting.

Following the funeral ceremony’s end, the Ukrainian leader said his face-to-face encounter with Mr Trump had been a ‘good meeting’.

It comes after a disastrous press conference from his perspective at the White House, when Vice President JD Vance haranged him over apparently not saying ‘thank you’ for US support.

In a post on social media site X, Zelensky added: ‘We discussed a lot one on one. Hoping for results on everything we covered.

‘Protecting lives of our people. Full and unconditional ceasefire. Reliable and lasting peace that will prevent another war from breaking out.

‘Very symbolic meeting that has potential to become historic, if we achieve joint results.’

Mr Zelensky’s spokesperson, Serhii Nykyforov, said the meeting lasted around 15 minutes.

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Protesters wrestled to ground and arrested after disrupting London Marathon with red paint
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Protesters leaped into the road as London Marathon runners approached and hurled red paint onto Tower Bridge.

Footage from the event showed how they were pushed to the side and wrestled to the ground, before a group of police officers surrounded them and they were arrested around 10.35am this morning.

The activist group Youth Demand, which is calling for a trade embargo on Israel, said their supporters jumped over the barriers and threw the substance in front of the men’s elite race.

An image shared by Youth Demand shows two people standing in the middle of the road wearing t-shirts that said ‘Youth Demand: Stop Arming Israel’.

City of London police quickly arrested them, the group said.

Youth Demand named the two activists as Willow Holland, 18, from Bristol, and Cristy North, a live-in carer from Nottingham.

? Licensed to London News Pictures. 27/04/2025. London, UK. Youth Demand activists throw red powder as the men's Elite runners reach Tower Bridge during the London Marathon. Over 56,000 elite, fun and charitable runners tackle the 26. 2 miles across London, raising millions of pounds for charity. Photo credit: Peter Macdiarmid/LNP
Youth Demand activists throw red powder as the men’s Elite runners reach Tower Bridge (Picture: Peter Macdiarmid/LNP)

Miss Holland was quoted by the group as saying: ‘I am taking action with Youth Demand because I have run out of other options: thousands are being killed in Gaza, our Government is making no effort to stop it and no other course of action, marches or rallies, has worked. I refuse to be complicit in a genocide funded by our politicians.’

Ms North was quoted as saying: ‘I’m taking action today at the London marathon because the people in Palestine are running out of time. We have tried all other avenues to get the Government to stop arming Israel and yet our Government is still enabling a genocide.

Handout screen grab issued by Youth Demand of their protest during the TCS London Marathon on Tower Bridge, London. The group, which is calling for a trade embargo on Israel, said two of its supporters jumped over the barriers and threw red powered paint in front of the men's elite race at around 10.35am. Issue date: Sunday April 27, 2025. PA Photo. See PA story CHARITY Marathon. Photo credit should read: Youth Demand/PA Wire NOTE TO EDITORS: This handout photo may only be used for editorial reporting purposes for the contemporaneous illustration of events, things or the people in the image or facts mentioned in the caption. Reuse of the picture may require further permission from the copyright holder.
Runners continued over the bridge was protesters were arrested (Picture: Youth Demand/PA)

‘They are making the UK people complicit in breaking UK domestic law by using our taxes to arm a genocidal state, breaking humanitarian international law.’

The Metropolitan Police said the two protesters are in custody after being arrested on suspicion of causing a public nuisance.

A statement said: ‘At around 10.38am, two protesters from Youth Demand jumped over barriers at Tower Bridge and threw red paint onto the road.

‘Marathon event staff intervened to remove the protesters from the path of the men’s elite race which was able to pass unobstructed.

‘He was quickly supported by police officers who arrested the protesters on suspicion of causing a public nuisance. They remain in custody.

‘The paint appears to be chalk-based and is not expected to present a hazard to runners yet to pass this point.’

? Licensed to London News Pictures. 27/04/2025. London, UK. A Youth Demand activist throws red powder as the men's Elite runners reach Tower Bridge during the London Marathon. Over 56,000 elite, fun and charitable runners tackle the 26. 2 miles across London, raising millions of pounds for charity. Photo credit: Peter Macdiarmid/LNP
The paint is thought to have been chalk based (Picture: Peter Macdiarmid/LNP)

The BBC TV feed cut to the elite men’s race moments after the leaders had crossed Tower Bridge and there appeared to be no impact on the race.

More than 56,000 people raced the 26.2-mile course through the capital today, with thousands more supporters with banners lining the streets of the capital to cheer on the runners and wave to their loved ones.

Participants, including a pair dressed as shower gel bottles, could be seen taking selfies and checking their watches as they set off.

London could set a new record for the world’s biggest marathon, which is currently held by the TCS New York Marathon in November when there were 55,646 finishers.

Among the participants were David Stancombe and Sergio Aguiar, whose daughters Elsie Dot Stancombe, seven, and Alice da Silva Aguiar, nine, were murdered in the Southport mass stabbing last summer.

In a video message posted on X, Prime Minister Sir Keir Starmer wished the pair ‘the very best of luck’.

He added: ‘This is an incredible way to honour the memory of your precious daughters and the entire nation is in awe of your courage and your resilience.

‘We’ll all be with you, every single step of the way.’

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Only one Royal has ever run the London Marathon
Sam And Holly Branson With Princess Beatrice And Dave Clark At The Start Of The Virgin London Marathon In Blackheath, London. (Photo by Mark Cuthbert/UK Press via Getty Images)
Can you spot the Royal? She’s pictured with some of her team at the start of the race in 2010 (Picture: UK Press)

The London Marathon is set to kick off this weekend, and the race is no stranger to famous faces.

Actors, presenters, singers, sports stars and a fair few politicians have taken part over the years, but only one royal has run the race in its 39-year history.

In 2010, at the age of 21, Princess Beatrice took on the 26.2-mile challenge in aid of her mum, the Duchess of York’s charity, Children in Crisis.

Wearing a green tutu, the royal joined 31 others, including Richard Branson, his two children, Sam and Holly, and Beatrice’s then-boyfriend David Clark, to run the race while all tied together as a ‘human caterpillar’.

She completed the race in five hours, 15 minutes and 57 seconds, and the group broke the record for the most people to finish a marathon while tied together.

Beatrice, who is Prince Andrew’s eldest daughter, was pictured giving her mum, Fergie, an emotional hug at the end.

LONDON, UNITED KINGDOM - APRIL 25: (EMBARGOED FOR PUBLICATION IN UK NEWSPAPERS UNTIL 48 HOURS AFTER CREATE DATE AND TIME) Dave Clark, Sir Richard Branson and HRH Princess Beatrice of York prior to running the Virgin London Marathon on April 25, 2010 in London, England. (Photo by Indigo/Getty Images)
Princess Beatrice after completing the marathon (Picture: Getty)
LONDON, UNITED KINGDOM - APRIL 25: (EMBARGOED FOR PUBLICATION IN UK NEWSPAPERS UNTIL 48 HOURS AFTER CREATE DATE AND TIME) An emotional looking HRH Princess Beatrice embraces her mother Sarah Ferguson, The Duchess of York after completing the Virgin London Marathon as part of the 'Caterpillar Run' Team, consisting of 32 runners tethered together on April 25, 2010 in London, England. (Photo by Indigo/Getty Images)
The princess hugs her mum, Sarah, Duchess of York (Picture: Indigo)

It’s thought security fears have stopped some of the more high-profile royals from competing.

In 2017, Kate, William, and Harry apparently wanted to take part, but were refused because the high security presence that would be needed along the track wasn’t logistically feasible.

The trio reportedly wanted to run in support of their mental health organisation, Heads Together, but in the end cheered on the runners from the sidelines.

London Marathon 2025 route Map
This is the route that this years’ competitors will be undertaking (Picture: Metro graphics)

A record number of people took part in last year’s London Marathon, with over 50,000 running the course from Greenwich to Buckingham Palace.

Among them were ‘Hardest Geezer’ Russ Cook, soldiers injured in the Ukraine war, women’s record contender Tigst Assefa, TV presenter Romesh Ranganathan and politician Matt Hancock.

LONDON, ENGLAND - APRIL 25: Princess Beatrice, Sam Branson and Holly Branson (far left) complete the Virgin London Marathon on April 25, 2010 in London, England. (Photo by Ferdaus Shamim/WireImage)
The group managed to break a world record in the race (Picture: WireImage)

Last year, soap star Emma Barton took part with her EastEnders co-star Jamie Borthwick.

Best known as Honey Mitchell and Jay Brown, respectively, the pair ran in character and were filmed the whole way as part of a brain tumour storyline, following the death of Lola Pearce-Brown last year.

Another person with extra weight on his back – quite literally – was Joel Dommett, who decided to throw on Danny Jones’s Piranha costume, which he wore to compete in the latest season of The Masked Singer UK.

Joel joined several other celebrities taking part in the 2024 race, alongside McFly musician Harry Judd, comedian Rosie Jones, actress Ruth Wilson and many more.

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Map shows the ‘London Marathon of Pubs’ to complete this weekend instead of running
Runners on the road at the London Marathon.
Watching all those marathon runners is thirsty work (Picture: Getty Images)

It’s almost over. You stagger towards the finish line, barely able to stand, heart pounding, the feeling of imminent vomit in your mouth from the exertion.

Congratulations! You finished the London Marathon… of pubs.

If you didn’t manage to get a place in this Sunday’s race, never fear, you can comfort yourself by sitting (or standing) with a frosty pint and watching thousands of runners do the hard work for you.

Metro has compiled a list of some of the pubs along the London Marathon’s 2025 route, forming a fun pub crawl if you’ve got a loved one running the race and want to cheer them on from a beer garden.

Some of them are opening early, and some are taking bookings, so if you want to guarantee a spot you may need to get in touch with them directly.

We’ve tried to avoid chain pubs where possible, because who wouldn’t want to support independent local boozers, but there are some chains pubs offering free pints to runners as well as a host of other businesses offering freebies.

London Marathon pubs Metro map
Our route isn’t for the faint hearted (Picture: Metro Graphics)

And we’ve actually only listed 14 pubs below, as it would be pretty irresponsible to try and visit 26.2 pubs in the same day.

But despite that, this pub crawl is still a hefty challenge – even if the preparation is much less intensive than training regimens for the actual marathon.

And if you also aren’t successful when the 2026 London Marathon ballot opens on Friday, this pub crawl will be there to drown your sorrows.

The starting line: The Royal Standard Pub

Address: 44 Vanbrugh Park, SE3 7JQ.

Not far from the starting line, this pub serves up delicious Sunday dinners as well as other snacks and sharers alongside plenty of craft beers and even cocktails.

We wouldn’t necessarily recommend starting the day with a mixed drink, but a breakfast Bloody Mary sounds pretty tempting.

Mile 3: The George IV

Address: 120 Rectory Place, SE18 5BY

For a more budget-friendly tipple, The George IV is a cheap and cheerful boozer.

Mile 5: Rose of Denmark

Address: 296 Woolwich Road, New Charlton, SE7 7AL

If, fingers crossed, the weather is nice on Sunday, there’s plenty of seating outside Rose of Denmark to watch racers run past al fresco.

Mile 7: The Spanish Galleon

Address: 48 Greenwich Church Street, SE10 9BL

Another gastropub dishing up Sunday roasts, this family-friendly pub is a solid choice.

London Marathon pubs Metro map
Try not to get too tired out when visiting all of these pubs (Picture: Metro Graphics)

Mile 9: The Pacific Tavern

Address: 100 Redriff Road, SE16 7LH

A bit different from your classic London boozer, this gastropub dishes up Pacific-inspired meals, Sunday roasts and sharing platters.

Alongside this they offer cocktails, plenty of ales and wines from New Zealand and South America.

Mile 11: The Brunel

Address: 47 Swan Road, SE16 4JN

The Brunel pub offers outdoor seating in its dog-friendly beer garden, perfect to watch the marathon runners whiz by.

Mile 13: Sir Sydney Smith

Address: 22 Dock Street, Tower Hill, E1 8JP

This pub isn’t directly on the London Marathon route, but it’s close enough that you should be able to pop in for a swiftie without missing too much of the action.

It also dishes up stone-baked pizzas and burgers alongside real ales.

Mile 15: The Ledger Building

Address: West India Quay, 4 Hertsmere Road, E14 4AL

This pub has a massive front terrace, perfect for watching the racers run past. Plus it’s a Wetherspoon so you know you’ll be able to get cheap and cheerful grub if you’re starting to feel a bit peckish.

Mile 17: The Lord Nelson

Address: 1 Manchester Road, Millwall E14 3BD

This 19th century pub has a dog-friendly courtyard and offers food and drink throughout the day.

Mile 19: BrewDog Canary Wharf

Address:2 Churchill Place, E14 5RB

With its own craft beers and regular guest brews on tap, there’s loads of choice for the discerning beer fan here. It has some outdoor seating, too.

London Marathon pubs Metro map
You’ll have earned your pint by the time you’ve visited all of these pubs (Picture: Metro Graphics)

Mile 21: The Craft Beer Co Limehouse

Address: 576 Commercial Road, E14 7JD

There are plenty of craft beers on an ever-changing menu here, giving thirsty punters plenty to choose from.

Mile 23: Traitors Gate

Address: 14 Trinity Square, EC3N 4AA

Not far from the Tower of London, this McMullen pub has food on offer alongside plenty of cocktails and a decent wine list.

Mile 25: Tattershall Castle

Address: Victoria Embankment, SW1A 2HR

This former passenger ferry turned pub and restaurant stands proud on the Thames – and should afford you a decent view of the Marathon runners from its deck.

The finish line: Buckingham Arms

Address: 62 Petty France, SW1H 9EU

A favourite with CAMRA (the Campaign for Real Ale), this pub is also not directly on the route but is only a short walk from St James’s Park, where the marathon wraps up.

It’s a fitting way to bring our pub crawl to an end, too.

Cheers!

Metro first published a version of this article in April 2016

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The wild way house prices vary mile by mile along the London Marathon route
Tower Bridge lined with people and banners for the London Marathon.
More than 56,000 runners will take part in the London Marathon this weekend (Picture: Getty Images)

As they pound the pavement for 26.2 gruelling miles, the 56,000 runners tackling the London Marathon this weekend might choose to look up and take in their surroundings when the going gets tough.

After all, there’s plenty to be distracted by – whether it’s the roaring cheer of the crowds, the excitement of passing famous landmarks including Tower Bridge and St Paul’s Cathedral, or even just having a nosy at the houses lining the streets.

It goes without saying that there’s a great deal of variation in the properties along the route – and a new study has identified a price difference of almost £1,000,000 between the start and the finish lines.

Analysing sold price records from Land Registry data, the research looked at property values across the postcodes for each of the 26 mile markers of the London Marathon.

The route crosses a whopping 15 different postcodes – and over the last year, the starting point down in Blackheath, SE3, has seen houses sell for an average of £533,500.

Modern apartments in redevelopment of Royal Arsenal in Woolwich
Woolwich is home to the most affordable postcode (Picture: Getty Images)

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At the other end of the spectrum, those with ambitions of getting on the property ladder at the finishing line might need to get their savings pots going – or consider entering the lottery.

Ending at the bougie SW1A postcode of The Mall – just minutes away from Buckingham Palace – homes here typically went for £1,500,000 over the last year, according to estate agent Foxtons’ analysis.

It goes without saying that this is considerably over the UK’s average property price, as statistics from Rightmove show that the typical asking figure is £377,000.

But what about the most affordable postcode? At just three miles into the race, Woolwich (SE18) is home to the cheapest properties along the London Marathon route.

Over the last year, homes here went for £428,500 on average – more than £200,000 under the going rate across the capital over the last year, which now stands at £686,250.

This ‘useless’ tube line is home to London’s most expensive mortgages

Ever wondered just how much your fellow commuters are paying for their monthly mortgages? A study has identified the London tube lines with the most expensive monthly payments.

As ever, it’s mind the mortgage gap as the Waterloo and City line has been named the most expensive for homeowners on the underground network with an average payment of £5,632 per month.

It’s little surprise considering that this line – colloquially known as ‘The Drain’ – has just two stops on it: Waterloo and Bank. Both are in zone 1, and the journey between them typically takes around four minutes, a fact which has seen disgruntled Redditors give it the title of ‘useless.’

So, if there are only two stations, why was it built? In the late 1800s, a survey found that 12,000 per day needed to get from Waterloo to the City (and back home again, as many commuted in from Surrey and the surrounding home counties).

And so, in 1894 work began on this short but sweet tube line – and it received its royal opening by Prince George, the Duke of Cambridge, in 1898.

And it was similarly positive news for SE8, which crosses mile markers 7 in Greenwich and 8 in Deptford, with the second most affordable properties on the route at £445,644.

Runners will also find a relatively good deal (in Big Smoke terms, that is) at mile 22 in Shadwell (E1), where homes have averaged out at £466,500 over the last year – the third most affordable across the iconic route.

‘The London Marathon is a reminder of everything that is great about London, as people from all walks of life, backgrounds, religions and races come together in one momentous effort to raise money for charity and to support their friends and family,’ said Foxtons’ chief sales officer Jean Jameson.

‘The course itself is also a great demonstration of what London has to offer, from the leafy suburbs of Blackheath to the rugged charm of Woolwich and Shadwell, the modern splendour of Canary Wharf and the historic charm of Tower Hill and the Mall.’

Jean added that the 15 postcodes representing London across the route embodied the ‘diversity of the London property market,’ from ‘the more affordable areas to the East and the prime heartlands of the finish line.’

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Freedom Day in a fractured nation: Who are we becoming?

A man was shot and killed inside Wynberg magistrate’s court recently. He was a taxi driver appearing on charges of murder. A life ended inside a building meant to represent law, order and justice. On the eve of Freedom Day, the symbolism is chilling.

We are a country caught in between. Not yet what we hoped to become. No longer who we once were. As Victor Turner, author of The Ritual Process: Structure and Anti-Structure, suggests we are living in a liminal space “betwixt and between” where identity, morality  and meaning are blurred.

The murder at Wynberg court is not an isolated tragedy. It is part of a pattern of violence that is becoming banal. It mirrors the unchecked rise in gender-based violence. It echoes in the divisive speech of public figures from Economic Freedom Fighters leader Julius Malema’s defiant provocations to AfriForum’s nostalgic nationalism. Our politics are less about building bridges and more about burning them.

Freedom Day should prompt us to ask difficult questions, not repeat comfortable slogans.

  • Are we truly free when safety is a privilege, not a right?
  • Can we celebrate freedom while fear stalks courtrooms and classrooms alike?

The promise of freedom has always been about more than the vote. It was about dignity. Opportunity. Care. Moral maturity is not only about justice but about our responsibility to one another. And yet, across government, business and civil society, we are seeing a retreat into self-interest. 

Political leaders who once embraced reconciliation now traffic in division. The government of national unity, hailed as a post-election compromise, already appears fragile, more coalition than conviction. The erosion of political goodwill is not just bad optics; it signals a breakdown of shared purpose.

What future are we preparing for our children?

Our education system is not producing the critical thinkers this moment demands. We teach compliance, not courage. Rote repetition, not reflection. How can our youth lead tomorrow if they cannot question today?

More than 60% of young South Africans, individuals aged 15 to 24, are unemployed and with a broader perspective, the unemployment rate among young individuals aged 15 to 34 years has recently been reported at 45.5%.  These figures underscore the significant challenges faced by South Africa’s youth in securing employment, highlighting the urgency for targeted interventions to address this pressing issue. 

Economic freedom is not just delayed, it is being denied. And so, we must confront the myth that we are all equally free. The Constitution might grant rights, but rights without resources mean little.

Identity is always forged in relationship to others. Yet we live in a time where connection is weakness and division is strength. There is a growing absence of empathy in how we speak, act and govern. The care we owe each other, especially the most vulnerable, is being outsourced or ignored altogether.

We are becoming a country that sees violence as inevitable.

Corruption as normal.

Polarisation as power.

But we can choose differently.

We can reimagine freedom not as something given to us once, but something we make together daily, deliberately. That requires an ethic of care in our institutions. It requires leaders who prioritise reconciliation over retaliation. It requires all of us to resist the temptation of cynicism and speak with moral clarity.

So this Freedom Day, I ask:

  • What does your freedom cost others?
  • How do your actions — your silence, your choices — shape the next 30 years?
  • Are we preparing our children to inherit a society of inclusion or exclusion?

Freedom is not a destination we reached in 1994. It is a road we are still building. And right now, it is full of potholes, dead ends and danger signs.

We must be bold enough to stop and ask: “Who are we becoming?”

If we are serious about freedom, we must also be serious about justice, safety, care and equity. It is time to turn inward — and outward. To rebuild the moral imagination this democracy was founded on.

Not with slogans. With action.

Dr Armand Bam is Head of Social Impact at Stellenbosch Business School.

In the Shadow of the Gallery: Art, power and the fight for Johannesburg’s soul

Earlier this year, the Mail & Guardian carried a story saying that the neglect of the Johannesburg Art Gallery (JAG) reflected widespread public and media sentiment that it, once a cultural jewel, had become an embarrassing symbol of institutional failure amid a flourishing creative economy. 

Then, days ago, on April Fool’s Day no less, Currency published an article headlined: “‘The war has started’ — Gayton McKenzie.” It reads like political theatre, casting the minister of sport, arts and culture as a crusader for the ruined gallery’s restoration, fighting a slow, bureaucratic system, with Vuyisile Mshudulu, the city’s director of arts, culture and heritage, framed as a villain. 

On 27 March, a “JAG stakeholder engagement” meeting was held with artists, heritage organisations, and civic bodies. The Johannesburg Development Agency (JDA) presented its plan, led by Riaan Hollenbach of Lamela Consulting, in what felt more like a public perception management exercise than genuine consultation. The JDA will oversee the execution of urban development projects, including logistics, compliance and resources, and Lamela has reportedly been tasked with initiating renovations. The patchwork plan to revive the deteriorating gallery in crime-ridden Joubert Park included a temporary relocation of the JAG collection to Ditsong, the Standard Bank and Absa buildings, or Newtown, amid ongoing wrangling.

The timeline for this seems as wobbly as the building itself, with regulatory approvals and site preparation set for September, followed by infrastructure upgrades, and an operational launch in November next year. 

The Johannesburg Development Agency detailed its planned process for relocating JAG’s important collection and restoring the historic Joubert Park precinct. It outlined the roles of national and provincial bodies and its own team of heritage experts who are tasked with balancing preservation and innovation. 

But achieving this balance is apparently easier said than done. 

A century-old institution, JAG is facing an existential crisis. Protected under the National Heritage Act, and home to a priceless collection, it is a national treasure and cultural pillar — central to the city’s artistic identity — yet also under constant threat from theft, neglect and decay, due to ongoing mismanagement. 

Many institutions, including Friends of JAG and the Johannesburg Heritage Foundation, consider themselves stakeholders in its fate. But while parts of the proposed future seem promising, it is precisely because of the long-standing failures that the gallery’s troubled past can’t simply be brushed aside.

One afternoon, as Khwezi Gule, JAG’s curator, drove me around the surrounding precinct, he shared his thoughts on the interconnectedness of the gallery’s history with the city’s ongoing struggles. 

“The weight of history is a burden I carry every day when I step into these spaces,” Gule revealed, visibly wounded by his own words. 

“How do you reconcile with these objects — some deeply offensive — and yet, I’m the one tasked with their care and preservation?” he pondered. 

This, for Gule, isn’t just a job, it’s a daily negotiation with history.

For him, the challenge for institutions like JAG lies in undoing centuries of oppression embedded in both the architecture and the artifacts. 

“To completely transform these spaces, to tear them down and rebuild them anew, is something people aren’t ready to entertain,” he explains. 

As we drove on, ducking taxis and swerving to avoid jaywalkers, Gule’s frustration became palpable. 

Da Conduct Oversight Visit To Neglected Johannesburg Art Gallery
The Johannesburg Art Gallery building. (Photo by Gallo Images/Fani Mahuntsi)

“These spaces were not made for us, and yet we are made to occupy them,” he said, pointing out the fundamental contradiction of working in spaces designed to exclude the very people who are tasked with reshaping them. 

As we spoke, it became clear that the true decolonisation of these spaces cannot simply be about representation or inclusion. It requires a complete rethinking of how art is produced, consumed and interpreted. 

Many of the works in JAG’s collection were acquired under colonial rule and they reflect a history of exploitation. “These objects come from a time of violence,” Gule reflects, “and yet, they remain with us.” For him, as curator, this presents a paradox: “How do you reconcile with that, when these objects continue to represent a violent history, yet you’re responsible for them?”

The dilemma of what to do with them is tangled up in the broader conversation on reparations, because this isn’t just about restoring buildings or returning looted treasures, it’s about confronting the economic and social injustices that still stem from colonial violence. 

Step outside JAG, and you’re hit with the raw, unvarnished reality of Johannesburg. Joubert Park, once a space for privileged white people, is a broken, neglected corner of the city. 

It was never meant for black people, but after decades of disinvestment, it’s a shadow of what it could have been — a stark reminder of the failures of urban planning and justice. 

The city’s plans for JAG’s restoration might raise questions but the vision is clear — rejuvenation, not just for the building, but for the surrounding area too. 

“This is an opportunity to redefine what it means to have a truly public cultural institution in Johannesburg,” said Lamela Consulting’s Hollenbach, who was not afraid to admit the renovation team was working on gentrification. 

As Gule warned, the true test will lie in whether these changes uplift local communities or simply maintain the status quo. 

The restoration is an arduous and complex project that, despite the challenges, including frustrations over mismanagement and the slow progress, has managed to hold the public’s interest and a mood of cautious optimism. 

This is why it would have been great if there had been more transparency and inclusivity in the consultation process. As one participant at the meeting stated, “We want a gallery that doesn’t just exist but thrives — and that can only happen if everyone who lives and works in this city is genuinely part of its future.”

Throughout the meeting, participants kept stressing the need for a radical rethinking, not only of the gallery’s physical structure but the value of its precious collection and its function within broader society. 

“Each of these must be temporarily separated and reimagined independently before they can be brought together to serve future generations,” one speaker emphasised. 

As Gule had similarly noted in our conversation days prior, “We are not just curators of art; we are curators of histories, legacies and futures.” 

Da Conduct Oversight Visit To Neglected Johannesburg Art Gallery
The Johannesburg Art Gallery. (Photo by Gallo Images/Fani Mahuntsi)

Despite a rather impressive presentation, questions about the project’s inclusivity, particularly regarding the involvement of younger artists in the process, were not fully addressed. The lack of younger voices at the meeting was palpable, with many of the attendees established figures in the arts. 

A more transgenerational and transdisciplinary dialogue might be key to ensuring the success of the project, with one stakeholder remarking, “We need to make sure we don’t push out the very community we are trying to build this gallery for.”

Digital innovation, from a new archive to hybrid programming, was pitched as a way to extend JAG’s reach beyond its physical walls. 

While that felt timely, some ideas — like promoting gentrification — missed the mark. Even when the “African Phoenix” idea emerged, it lacked the self-awareness that, to rise from the ashes, it first has to burn. 

This is the weight of the work at hand. JAG’s future, rooted in South Africa’s history of urban erasure and systemic inequalities, lies at the intersection of reclamation and the persistent harshness of the present. 

In Gule’s words, “Decolonisation isn’t about undoing history, it’s about constructing something that truly reflects and serves the people who’ve always been left behind.” 

JAG’s restoration is about more than just reviving a colonial building. It’s about manifesting a vision for a future where African cultural production is reshaped to serve those whose voices have been silenced for too long. 

The test is whether the leadership can transform lofty promises into something tangible or if it will remain another hollow hallucination.

I was paid £22,000 to stay with a complete stranger for a week
I got paid ?22k for a week of sex work at 50
Melissa stayed with a new client for £3,000 a day (Picture: metro)

A man emailed last month to tell me how, despite being a successful businessman, he behaved like a brat.

He was convinced, he added, that he would benefit from a whole week’s detention in my study. I’d confiscate his phone for the week, stop him drinking, using cocaine and smoking; make him write lines, spank him, and force him to stand him in the corner.

‘You are my last hope,’ he wrote. ‘Money is no object. Can I call you? I’ll pay!’

I yawned. Well, telly was rubbish, as usual, so I thought why not earn some quick cash in return for a chat. I sent him my number, bank details and a request for £50. Two minutes later £100 plopped into my account. Ooh, lovely. Then my phone rang.

‘Mistress, thank you for agreeing to speak with me,’ the man said to me in his thick East European accent. ‘You agree I need punishing and a whole new way of life?’

I replied that in principle it was a yes from me – but I wasn’t sure I could manage a whole week.

‘But I need it so much,’ he pleaded. ‘Are you busy in April?’

Pawel wanted to be disciplined by Melissa (Picture: Natasha Pszenicki)

I wasn’t, but still suggested we both sleep on it. If he really wanted it to happened we would need to think some more about how it would work – such as where he would stay, what we should do, what I would charge.

The man agreed with me and hung up, leaving me £100 richer for four minutes of ‘work’. Feeling pretty chuffed with myself, I assumed he’d soon sober up and I’d never hear from him again.

However, the next morning I woke to find £22,000 had arrived in my bank account.

I rubbed my eyes and looked again. It was still there, transferred from my new Polish friend, Pawel (as I learned via the bank transfer), a few hours earlier. In all honestly, if he’d gotten back in touch, I was going to suggest £1500 would be an acceptable fee – so thank goodness I kept quiet. 

I messaged Pawel, trying to play it cool. ‘Safely received. Thank you so much.’

‘Thank you Mistress!’ he quickly replied and started sending me places we could stay, such as stately homes; palaces with swimming pools and hot tubs. His idea of detention was quite different from mine. Still, I was hardly about to argue.

Although my greedy self was ecstatic, sensible me started to panic. How had I let myself get into a situation where I’d be spending a week with a man I didn’t know?

Pawel hadn’t really given me any choice, which was a definite red flag. If he’d offered £200 I’d have turned him down, but the enormous £ signs were blinding. In the end I decided to quit whining and invested a fiver of my £22k in a bottle of pepper spray.

Bundles and Piles of UK Banknotes
Melissa had a pleasant surprise when £22k landed in her bank account (Picture: Getty Images)

A couple of week’s later we met at a fellow domme’s house. I’d be filming for a few hours after his plane landed, so she agreed to supervise the first few hours of his week long detention. ‘He’s very sweet,’ Miss Iceni messaged me. ‘I’ve spanked him gently, since he’s got a week of this ahead…’

This was a huge relief. Pawel, a self-made billionaire, had been vague about his expectations, so I’d asked a few friends to act as safety buddies, who constantly messaged me. Eventually, I had to ignore them because, for £3000 a day, you can’t be on your phone half the time.

Thankfully, Miss Iceni was right. He was charming, if shy. Then he explained he’d always wanted a long detention ‘like in your films’.  Baffled, I racked my brain, desperate to figure out what he was referring to. Then I remembered decades ago I’d shot a series featuring three girls who’d behaved so badly they had to spend a week in their headmistress’s home, writing lines, getting their mouths soaped, being spanked.

We had booked a West London holiday rental, so we could be close to all the action. And, as is often the case in Melissa world, the week was much more innocent, yet totally bizarre, than anyone would believe.

Melissa’s client spent most of the time sleeping (Picture: Natasha Pszenicki)

I spanked Pawel a bit, but he wasn’t really into it. He complained it hurt, and suggested we go to the pub instead. I love a pub, and 168 hours of discipline sounded boring and ridiculous, so I cheerfully agreed and as we chatted over pints, he told me he struggled to find straightforward, trustworthy pals because they want him for his money.

A cab got us back to our home for the week at 1.30am. Pawel asked the driver to wait while he collected cash before driving us to a casino. ‘No no no,’ I said, with uncharacteristic firmness. ‘Bed!’

The next day I rose at 7am, head grumbling. He was snoring still. Marvellous. Coffee, shower, make up, answer emails, more coffee. Still he snored. Toast, then. Maybe a pecan slice.

We’d done a big shop and the fridge groaned. I started to feel vastly better. Now what?

I grazed in the the sunshine with a book, periodically scampering in to check he was still asleep. Given what I’d been paid it felt a bit rum to be spending my morning reading and eating cake. So I took a few pouty selfies; added to my Insta story; updated Onlyfans.

Still Pawel snored. He sounded like a threshing machine. Coffee again. Finished my book. Started another. Wrote about my idiotic week to date. Hmm. It was noon now. Maybe I should wake him? But he’d told me how hard he worked, how much he needed a rest… 

Bellagio Hotel, People playing slot machines
Melissa stopped Pawel from going to the casino (Picture: Getty Images)

At 3pm I started to panic. I messaged Miss Iceni, who was meant to be joining us for dinner and a show, to ask advice. 

‘Maybe you should pop your head round the door?’ she suggested. ‘He might have gone on a binge and be playing a tape of himself snoring to fool you. Make sure he hasn’t stuffed the bed with pillows. Give it a good prod.’

The previous evening Pawel had already escaped my grasp to give a stranger £10 for a cigarette, so that didn’t sound totally improbable. And I had no better plan. I stole upstairs to open his bedroom door. No, it was definitely him making that racket. The room stank.

He looked a little blue about the lips. Oh god, oh god. Don’t let him die. What would I tell the police?

I could hear it already: ‘Why, Miss, is there a dead man in this house? What’s his name? I can’t write NaughtyBoy69 on the incident form now, can I Miss, be reasonable.’

No. If he went to meet his maker I decided I’d leave an anonymous apologetic note to the cleaner and scarper.

Finally, at 3.26pm Pawel scampered down the stairs. ‘Sorry, Miss – have I missed breakfast?’

The week passed like this. He continued to sleep for an average of fifteen hours a day. He liked shopping. He wanted to take me to all the most expensive shops in London and buy me anything I wanted. I do not like shopping, and I do not want anything, except not to be shopping. He gazed at me in wonder as I solidly refused offers of jewellery, perfume, shoes.

Pawel continued to suggest we go to the casino where he’d give me £2000 so I could try my beginner’s luck. but I didn’t want that either. I don’t find wasting money amusing.

He wanted to buy every type of Haribo, every brand of biscuit and sugary cereal, and had to be forcibly restrained. It was like babysitting a 6ft billionaire toddler. Instead I insisted we go for walks and feed the pigeons.

When Pawel asked what was the best restaurant in London, I told him it was unquestionably Wetherspoons. He loved it. He preferred his food plain. He’d always hated chowing down a froth of this and a mist of that.

I genuinely liked Pawel, felt for him, enjoyed our week together and once we parted, I knew I was looking forward to our next week-long appointment. Not only for the massive wad of cash, but because he’s good fun. There’s even been talk of me visiting him in Poland.

You imagine the rich have it easy, and in many ways they do. But Pawel taught me that an excess of wealth does leave you lonely and innocent. He had never heard the word no and had never learnt the concept of enough.

I’m proud to say that just in the space of a week I managed to remedy that.

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Hell is others: Sarajevo and the tragedy of intimacy

“Only the dead have seen the end of war.” Plato’s observation is blisteringly true. War is humankind’s perpetual default mode, the most intimate sign of its intrinsic cruelty. 

“History hurts,” writes American philosopher Fredric Jameson. 

As for our subjection to violence or our imagined immunity — the presumption that war occurs elsewhere? The truth is, war is everywhere. Immunity is delusion. Suffering is the defining condition. Joy, or redemption, achieved only when one has travelled through a strait.

Sarajevo, a stage-play written by and starring Aimee Mica Komorowsky and directed by Kayli Elit Smith, raises these gnawing questions regarding violence, ethnic hatred, the brutalisation of women and the monstrousness of men. 

Set during the Bosnian War, which started on 6 April 1992 and ended on 14 December 1995, it is an intimate examination of sexual discrimination and abuse, illicit love across an ethnic divide and a dissection of male power. 

In addition to Komorowsky there are three men on stage: a South African war photographer and two Serbian soldiers of different rank. Komorowsky plays a Bosnian. 

If the monstrousness of ethnic cleansing is a core theme, Sarajevo at no point allows itself to become a mouthpiece for ideological perversity. 

Never dogmatic, always deeply implicated in interpersonal stresses and strains, the play allows one to enter a raw human condition and understand how vulnerability emerges, why misunderstanding is the root of dispassion and cruelty, how resolution — the predictive arc of conventional storytelling — might be obscene. 

For one is not gratified at the end of Sarajevo. The fact that the rape scene occurs at the penultimate moment reinforces the fact that “history hurts”, that resolution is a fantasy in the midst of war and violence.

The male protagonists — Ivan  Nedeljkovic and Alistair Moulton Black as the soldiers and Duane Behrens as the photographer — provide a strikingly varied counterpoint to the central woman protagonist. 

Two desire her love, which remains unreciprocated. The other, in the throes of personal torment, becomes a rapist. This spectrum, between love and hate, fantasy and obscenity, spans a one-act play which, paradoxically, is fortifying in the middle of its brutality. 

This is because the writer and director never lose sight of a raw mortality. There are no digressions, no ellipses — despite scene changes — because the director, Elit Smith, never wavers or veers away from the instinctive and immediate passions that impel the drama.

Staged in Johannesburg’s Holocaust Museum, a fitting site of mourning, the production is lean. 

Composed of cardboard boxes — stacked as bombed sites, a table, seats — the composition conjures derelict building blocks as substantive as they are flimsy, for nothing is immune to destruction. 

The lighting is as economical and deftly deployed. It is the soundtrack that proves to be the most potent theatrical weapon — an engulfing staggered and broken aria to the mania of war. 

Amid this continuous din, the actors hold their own. One is never freed from the fact of war and the psychological damage it incurs. 

Each character has their own demon, each is ensnared in the other. As Jean-Paul Sartre remarked, “Hell is others” — this is the trap which the playwright, Komorowsky, has set.

If war is all-consuming, then what of peace? Are we ever truly freed from the burden of history? Is reprieve only ever momentary? 

What of Komorowsky’s script, which surely is the star of the play? It is her words, pithily direct and uninflected, wrought within and wracked by the moment in which they were conceived, in which, bodily, emotively, all of human pain and yearning seem distilled, which, when uttered by gifted actors, thrusts the audience into a shattered and shattering maw.

But then, this is a play and, as such, an artistic rendition of what is often silenced in war. If, therefore, I have emphasised the words written and then spoken, it is because, without words, even more than photographic images, we cannot know the truth about despair and hopelessness, of ongoing horror. 

This is why truth and reconciliation is vital but also why they are also ever-elusive. That Komorowsky has refused to write an account, to explain, or explain away, the horror, is all the more salutary. 

While the playwright-actress knows, with Margaret Atwood, that “War is what happens when language fails,” she also profoundly understands the importance of words and their utterance in and through ruined and desolate bodies. This, then, is her Sarajevo.             

Sarajevo will be staged again at the Johannesburg Holocaust and Genocide Centre on 19 and 25 May.